reviewed at the Southwold Arts Centre on 23 July
Mother love. It’s unconditional, isn’t it? Daughterly devotion. That’s reciprocal, isn’t it? Agatha Christie’s play, set in the aftermath of the Second World War, is based on her original novel and cuts through layers of family gloss to reveal some very stark bones.
Sarah (Rosanna Miles) has just returned from war duties to her widowed mother’s London flat. She expects that nothing will have changed in four years – but it has. Ann (Naomi Evans) has found a new man, pleasant thoroughly dependable Richard (Rick Savery).
To say that Sarah resents him is to put it mildly (and politely, which of course she doesn’t do). She has a suitor herself, post-demob footloose Jerry (Tom Girvin), but all she wants is to have her mother exclusively to herself. Her godmother Laura (Tess Wojtczak) and housekeeper Edith (Laura Cox) can see how wrong this all is but can change nothing.
Some years later, and Sarah has made a disastrous marriage, to man-about-town Lawrence (Morgan Thrift. Richard has found a new life in the countryside with Doris (India Rushton-Dray). Mother and daughter are still together, but the cracks in their relationship are now more than surface ones.
The dialogue is intense and Evans has a tendency to take some of it too fast. Overall Phil Clark’s production, thanks to Tory Cobb’s set and Miri Birch’s costume sequences for Ann and Sarah – shades of those old West End productions with their programme notes that “couturier X… has designed Miss Y….’s wardrobe – have a good sense of period.
It’s a woman’s play, as far as dramatic tension goes. Miles strikes a fine balance in showing us both the selfishness and vulnerability of Sarah, and Cox is more than just a Cockney maid familiar from plays and films of the 1930s and 40s. All three men are slightly colourless in comparison, which is only to be expected.
Perhaps we are now sufficiently removed from those post-war years to put them and their people into proper perspective. I think Christie wrote this story from her heart, drawing on personal pains. Fashions change. Society changes. People don’t.
Four star rating.
A Daughter’s A Daughter runs at the Southwold Arts Centre until 28 Juy with a matinée on 24 July, early evening performances on 26 and 28 July and no performances on 27 July. It transfers to the Jubilee Hall, Aldeburgh between 31 July and 11 August and returns to the Southwold Arts Centre from 3 to 15 September.