(reviewed at the Mercury Theatre, Colchester on 13 April)
Bruce Norris’ 2010 play picks up the closing scenes of Lorraine Hansberry’s 1959 drama A Raisin in the Sun with its Black Younger family about to move to Clybourne Park, a White suburb of Chicago.
Norris’ acerbic tragi-comedy has two stories, one set in 1959 and the other in 2009. Daniel Buckroyd’s new touring production for Colchester’s Mercury Theatre has the packing cases which became so prominent in A Raisin in the Sun lurking on the fringes of Jonathan Fensom’s set.
Only these are for the move of Russ (mark Womack) and Bev (Rebecca Manley); They are the couple who have sold to the Youngers, following a family tragedy. Carl (Ben Deery), having failed to deter the Youngers from their move is now desperate to prevent Russ and Bev – who may be ignorant of the skin colour of the new owners of their house – from completing the sale.
What concerns Carl is a mixture of in-bred racism coupled with a desire to maintain the status quo and to prevent the (as he sees it) inevitable meltdown in value of the whole Clybourne Park development. Deery controls Carl’s increasingly paranoid diatribes as he corrals William Troughten’s church minister Jim and his own pregnant deaf wife Betsry (Rebecca Oldfield) into half-hearted support.
Manley’s portrait of a wife and mother whose whole existence has been thrown out of kilter is equally three-dimensional. Her relationship with her Black maid Francine (Gloria Onitiri) is a brittle one; she values the help but ignores the person. Onitari gives us an apparently quiet, pliable woman with a rich life – a husband Albert (Woie Sawyerr) who excels in a skilled job and three children.
Russ and Bev’s tragedy is revealed slowly, and not fully until the second act. In this Lena (Onitiri) is concerned that the would-be purchasers of her house are proposing radical changes, practically a re-build. Womack’s bitterly authoritative Russ (a man who thinks, feels and suffers) is now transformed into Dan, the sort of workman you probably would be better off not employing.
The dénouement takes us into another dimension, removed from the reaism of everything which has gone before. By this time the audience is thoroughly gripped by the several dramas which have played out before it. This is an ending which was there from the beginning, but we needed to tease it out for ourselves.
Clybourne Park runs at the Mercury Theatre, Colchester until 23 April with matinées on 16, 21 and 23 April. The national tour runs until 28 May and includes the Arts Theatre, Cambridge (9-14 May).