Sans Objet

(reviewed at the Theatre Royal Norwich on 17 May)

To say that Aurélien Bory’s Sans Objet is a mesmerising as well as technically brilliant piece of theatre scarcely does it justice. Purposeless it is most certainly is not. As the stage slowly lightens we are confronted by an enormous mass a black plastic which turns and rises as though the earth’s landmass was breaking out of the seas.

This reveals our two, neatly business-suited performers Olivier Alena and Olivier Boyer, who unveil the most extraordinary robot with a lethally flexible arm. It is as though Kafka and Orwell had commissioned a Duchamp creation. Partly it can seem an hommage to Audrey (of Little Shop of Horrors fame), at first almost playful, then savagely devouring. Tristan Baudoin is the programmer and operator, fully deserving the audience’s applause at the curtain calls.

Before the stage is once more enveloped in the black sheeting, Alenda and Boyer dance and play, perform acrobatics and indulge in a half-fun, half-danger sequence of movements with the creation’s robotic arm. The sheeting then becomes the background for a dazzling light display until a door opens in it to reveal the two men with black heads. Have they been annealed in the depths of the robot? Or is it that they have recovered humanity once more? Make up your own mind.

Sans Objet is part of the Norfolk & Norwich Festival 2016.

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Filed under Circus & physical theatre, Reviews 2016

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