(reviewed at the Queens Theatre, Hornchurch on 2 February)
This is a thriller for three actors by the American playwright David Foley, doubling as a type of hommage to the films of Tarantino. After the sort of disco music and light show which puts us firmly in the world of the glitterarti, we are in the living-room of the Manhattan apartment which belongs to Camille (Lucy Benjamin).
Camille is a (very) wealthy widow and a designer of the sort of show-off jewellery which one might describe as bling. She also has a penchant for bedding younger, personable men. In this case it’s Billy (Tom Cornish). But Billy doesn’t just want to be paid for his services; he has a hidden agenda.
What would a woman who owns not just the penthouse but the whole apartment block do when her one-night stand refuses to accept his dismissal? She calls the security man (Sam Pay) – and this is where the plot thickens into a positive peasouper of double-and triple-crossings.
Director Simon Jessop wisely keeps the action at boiling point with just enough space for the sort of half-nervous laughter with which an engrossed audience can relieve its tension. The pace is brisk; even with an interval it’s less than two hours, which is just about right.
All three actors are excellent; our sympathies and understanding veer wildly as each new revelation presents itself. Cornish has the sort of louche sexiness which suggests an inherent morality and Benjamin matches him as the woman who takes what she wants, and comes back for the next helping. In many ways Pay has the most difficult role as a man who isn’t quite as clued-up as he thinks he is.
Though one might query if the whole thing wouldn’t have worked even better without the intermission (silly me! I forgot about those vital bar takings…)
One of Rodney Ford’s excellent sets – all exposed brick walls, angular chrome furniture and off-white upholstery – locates us in place and time. And if anyone know how to stage a stage fight which has the audience wincing in sympathy, it’s Malcolm Ranson.
Deadly Murder runs at the Queen’s Theatre, Hornchurch until 21 February.