reviewed at the Queen’s Theatre, Hornchurch on 1 May
Film to stage show is a trickier combination than it sometimes appears. This is particularly true of musicals. One path to success is to stylise the settings and fully integrate the orchestral accompaniment with the action.
This is what director Douglas Rintoul and designer Joanna Scotcher have done. There’s a false proscenium suggesting corrugated tin, minimal furniture and costumes which rely heavily on black, white and red – not to mention shoals of glitter and gaudy fluff for the drag acts.
Central to the story is Bernadette (Mark Inscoe), the transsexual we meet at her partner’s funeral. Inscoe’s performance has a control that never masks the inner person; this is someone who has encountered nearly everything that life can hurl but keeps a central core of integrity.
Balancing this is Tom Giles’ Tick, the troupe leader who takes them ona cross-country trek to Alice Springs. That’s because his wife Marion (Clara Darcy) wants him to meet his young son Benji (Frankie Day) – oh yes! there is also the small matter of a gap in her casino’s entertainment programme.
The third troupe member is Adam (stage name Felicia), played by Daniel Bailey. he’s the ultimate in camp, one of nature’s stirrers who is bound to find himself in trouble – as he does soon enough in the outback. Bailey’s is one of those over-the-top bravura performances that leave you in two minds – applause wildly, or ring the character’s mischievous little neck.
Musical director Adam Gerber is not evenly served by sound designer Adam McCready; the balance on the opening night was very uneven. Michael Cuckson as Bob, the mechanic who manages to get the tour bus Priscilla back on the road (or as much of a road as there is) and stays along for the ride is an excellent portrait of a simple man with complex feelings.
Four star rating.
Priscilla, Queen of the Desert continues as the Queen’s Theatre, Hornchurch until 26 May with matinées on 3, 5, 10, 12, 17, 19, 24 and 26 May.