reviewed at the Theatre in the Forest, Wherstead on 3 August
Outdoor theatre attracts mixed-age audiences. That can prove problematic when the show in question is one of Shakespeare’s best-loved comedies. The Red Rose Chain has made a specialisation of small-cast visually updated versions; Joanna Carrick’s new production is the latest.
With two global conflict anniversaries hovering in all our backgrounds, this one (like Colchester’s 2016 production) has a Second World War setting. Don Pedro, Claudio and Benedick are all fighter pilots. Leonata is a Woman’s Auxiliary Force officer.
Her daughter Hero is a nurse and her niece Beatrice is a land-girl. Of course, the men of the town’s constabulary and all Dad’s Army clones. The set by Carrick, Jack Heydon, David Newborn and Rob Young shows a camouflaged tunnel entrance, a watch-tower and a Red Cross station. Kathryn Thorogood’s costumes allow for all the required quick changes.
All six actors play two parts. Fizz Waller doubles a mercurial Beatrice with a show-stealing Dogberry. Ricky Oakley’s urbane Benedick reverses into the uncouth Conrade. Haydon’s pliable Claudio becomes an over-the-top Margaret, given to strip-tease.
Oliver Cudbill is an ecclesiastical Don Pedro and pedantic constable Verges. Captive Don John, who sets one of the play’s plot themes running, is a combat-crippled eyesore; a good contrast in characterisations with authoritarian Leonata for Claire Lloyd. Joanna Sawyer gives as much spark as possible to the abused Hero.
“I didn’t write the words” mutters Oakley’s Benedick at one point. No, Shakespeare did – but certainly not all of them in Carrick’s staging. The slapstick, music and jitterbugging both ornament and distract from the drama. But what else can you expect when even the forest birds join in on cue?
Four star rating.
Much Ado About Nothing runs at the Theatre in the Forest, Jimmy’s Farm, Wherstead until 26 August. There are matinées on 4 and 11 August.