Il barbiere di Siviglia

reviewed at the Theatre Royal, Norwich on 15 November

It begins with a stylish chortle of an overture firmly controlled by conductor Ben Gernon. Ten a curtain sweep aside to drop us into mid-20th century Seville, with Joanna Parker’s set reminding us of the city’s Muslim heritage and its lingering echoes in the roles of men and women.

This touring revival of the 2016 Glyndebourne Festival production is directed by Sinéad O’Neill. It’s frothy, never takes itself too seriously and is studded both with well-sung and acted characterisations and visual treats. That cloudburst of keyboards in the Act One finale, Basilio’s novel take on a thunderclap in “La calumnia” and the deliciously sent-up serenades “Ecco, ridente” and “Se il mio nome” all work well.

Jack Swanson’s Almaviva is vocally agile and displays just a hint of the social and sexual voraciousness which is more fully revealed in the second of the Beaumarchais trilogy. Laura Verrecchia as Rosina sails through “Una voce poco fa” and her duets with Marco Filippo Romano’s testy Dr Bartolo and Tobias Greenhalgh’s likeable fixer Figaro.

Slide-slithering Basilio gives Anatoli Sivko a host of opportunities, upon which he seizes. Janis Kelly’s sneeze-prone Berta stumps her way as Rosina’s chaperone until bursting out with “Il vecchiotto cerca moglie” and ending it with a cascade of heel-taps and stamps which would do credit to any flamenco dancer.

Three masked actors, two with horned bull-visors and one with a plumed headdress reminiscent of traditional Sicilian puppets, circulate around the action, managing both to remind us that this is a traditional buffo comedy with stock characters but also that the ritualistic strikes deep chords.

I’ve always thought that Il barbiere was probably not the best opera with which to introduce the genre to pre-teens. Judging by the rapt attention and thorough-going enjoyment shown by a primary school party, that may not necessarily be the case. They certainly loved the visual aspects, but they also were engrossed by the music. Top marks all round!

Four and a half-star rating.

Il barbiere di Siviglia has a Saturday performance on 18 November. It can also be seen at the Milton Keynes Theatre in repertoire with Così fan tutte and Hamlet between 21 and 25 November.

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Filed under Music Music theatre & Opera, Reviews 2017

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