Everything Must Go!

reviewed at the Sir John Mills Theatre, Ipswich on 28 September

Eastern Angles have a track-record for shows based on personal recollections. On tour at the moment is Everything Must Go! , which collates the memories of care-home residents – for many of whom shopping was central to women’s lives – into the story of Dot and her grandson Tom.

Jon Tavener makes it into a collage of changing attitudes, in more than one sense. Dot (Rosalind Burt) is losing her short-term memory but is persuaded, with Tom (Joe Leat) as her chauffeur, to revisit the shops in which she has been for so many years an habituée – on both sides of the counter.

Except, of course, that most of them are no longer there. Her father ran an ironmongery, in which she learnt her trade, and expanded the business when an adjacent grocery shop ceased trading. Wartime austerity taught her a different sort of frugality and the benefits of trade-off.

Later, she worked at the Co-op, appreciating the power of the “divi”, and felt marginalised by the self-service concept introduced in the run-up to the supermarkets and superstores where we shop nowadays without giving much thought to their predecessors.

Yes, it’s social history – and not without bite. But it’s also thoroughly enjoyable, with Burt switching easily from prewar schoolgirl to young mother to the frailty of today. Leat offers a portrait gallery of shopmen (and shopping women) as well as suggesting a modern young man’s real affection for his grandmother.

Fiona Rigler has devised a setting which uses green boxes, a curtained arch and shop signs to whisk us from place to place and time to time. Aprons and head-scarves indicate character changes with minimal fuss.

I can’t have been the only audience member who felt a sudden twinge of nostalgia for those old shops where dockets, bills, money and change whizzed overhead to a cashier somewhere in the background. It added a dimension to the shopping experience.

Four and a half-star rating.

Everything Must Go! runs at the Sir John Mills Theatre, Ipswich until 29 September with a matinée on 29 September. It then tours to The Undercroft, Peterborough (6 October) and to the Town Hall, Maldon (13 October).

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Filed under Plays, Reviews 2018

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