Driving Miss Daisy

reviewed at the McGrigor Hall, Frinton on 10 July

We all confront prejudice sooner or later, in one form or another. How we deal with it is an individual matter. Take for example Alfred Uhry’s 1987 play Driving Miss Daisy. There are three characters with very different responses in the 25 years of the action which takes place in southern USA.

Daisy Werthan is a Jewish widow, formerly a school headmistress, set in her ways of doing things. Her son Boolie is a successful businessman, well-liked – even admired – by his associates but always conscious that he can maintain this only by appearing 100 percent true American.

Hoke Colburn, the chauffeur he hires after Daisy has crashed one car too many, has always known prejudice; after all, he’s Black. His method of dealing with it is to play the part demanded of him while balancing an inner integrity with maximising on other people’s expectations. Or lack of them.

How we react really depends on the cast. Vivienne Garnett’s production has a minimalist setting (though including a rather marvellous automobile) by Sorcha Corcoran against which the drama plays out.

Geoff Aymer’s Hoke, playing the part for the second time in Frinton, has the audience in the palms of his hands using especially his articulate eyes while gradually revealing how he deals with first Daisy’s disdain and downright mistrust and then – as age reverses their rôles – with genuine sympathetic understanding.

Age is something which most of us confronting its onslaughts try to fight off as long as possible. Anah Ruddin has the measure of Daisy as events conspire to confront her with whole swathes of inevitability; it’s a precisely nuanced performance.

Boolie is a likeable man, trying to juggle family responsibilities with professional and social ones and knowing that what he is driven to do is not necessarily the right option. Stacy Shane makes all this credible from his first lines.

This production sets a standard for the 2018 Frinton Summer Theatre season, overcoming the difficulties of a small stage and non-raked auditorium. Driving Miss Daisy is perhaps a bold choice for an opening night on the Essex coast, but theatre has always been about taking risks.

Four star rating

Driving Miss Daisy continues at the Frinton Summer Theatre until 14 July. with a matinée on 14 July. The season continues until 25 August.

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Filed under Plays, Reviews 2018

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