Tag Archives: Simon Shorten

Spamalot
reviewed at Colchester Mercury on 27 April

A musical version of the 1975 film Monty Python and the Holy Grail must have seemed slightly strange in 2004, but Eric Idle and his musical collaborator John Du Prez knew what they were doing. Now Daniel Buckroyd has dierected a new production as part of the 2017 Made in Colchester season; a tour is planned.

Eleven performers people the stage with Idle’s recorded Voice of God majestically accompanied by Michelangelo-inspired pointing finger or magisterial foot. The production designer is Sara Perks with costume supervision (there are many quick changes on and off stage) by Corinna Vincent. Carlton Edwards is the musical director for the instrumental quartet.

Most of the cast take on a whole court and army of wildly different characters. Bob Harms as King Arthur, Sarah Harlington as the Lady of the Lake and Dale Superville as Patsy – Arthur’s over-loaded page – are the exceptions. Both Harlington and Harms have well-trained singing voices which carry both notes and words effortlessly across the auditorium and cope featly with Ashley Nottingham’s choreography.

This involves a deliciously ecclectic mixture of styles from country dance to cabaret high-kicks – Sally Firth and Gleanne Purcell-Brown stand out as two showgirls – but the male members of the cast also make the most of the steps they are given. The sets are simple but very effective with imaginative lighting by David W Kidd to make some memorable stage pictures.

Daniel Cane and Matthew Pennington make the most of Sir Robin and Prince Herbert respectively. Other parts are played by Marc Akinfolarin, John Brannoch, Norton James and Simon Shorten – which is not to ignore the Killer Rabbit (think Trojan Horse in pink with floppy ears) and other puppet woodland creatures.

Perhaps a slight word of warning. Personally, I’d be disinclined to sit in row H seat 20 – and be perpared for some chase and search sequences elsewhere in the auditorium. For those of us sitting elsewhere, it proves to be an evening of fun, music and spectacle. I supect that Colchester has a winner on its stage.

Four and a half-star rating.

Spamalot runs at the Mercury Theatre, Colchester until 13 May with matinée performances on 29 and 30 April, 4, 6, 7 11 and 13 May. Check the website www.mercurytheatre.co.uk for tour details as these becomr available.

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Filed under Music Music theatre & Opera, Reviews 2017

Sweeney Todd

(reviewed at the Mercury Theatre, Colchester on 27 October)

A musical thriller says the programme cover for Daniel Buckroyd’s new production of the Sondheim musical for the Mercury Theatre in Colchester and the Derby Playhouse. Sara Perks has designed a triangular set on a central revolve which adapts seamlessly to the environment of different areas of Dickensian London.

The score has been re-arranged by Michael Haslam for a five-piece band, tucked away stage left on the platform which surround the main acting area. On the official opening night, it often seemed as though sound designer Adam P McCready still needed to correct the balance between musicians and stage performers considerably. Too many lines of the opening “Attend the tale of Sweeney Todd” ballad were lost – and I was sitting only four rows from the stage.

Hugh Maynard’s performance in the title role takes no hostages; you can understand the man’s thirst for revenge and even the way in which he utilises his professional skills to achieve it. He also know that the part requires the audience’s sympathy to leach away as just requital is overwhelmed by an indiscriminate blood-lust. His baritone is strong, an excellent foil for Sophie-Louise Dann’s luciously lascivious Mrs Lovett.

Christina Bennington is a winsome, well-sung and acted Johanna, her lyricism counterpointing Dann’s more streewise tones. Kara Lane’s Beggar Woman leads us gently into the realisation that this raucously sluttish mendicant was once Todd’s beautiful and virtuus wife Lucy. David Durham makes much as Judge Turpin’s villainy with Julian Hoult a dulcet-toned slimily insinuating Beadle. Jack Wilcox gives Anthony strength as well as niceness and his voice is a good match with that of Bennington.

If Simon Shoren’s Signor Pirelli is another in the cast of “nasties” whih inhabits the story, Ryan Heenan, both in his Dulcamara-style snake-oil salesman introduction to Pirelli’s barbering and tooth-drawing abilities and in the subsequent portrait of a lad grateful for any casual kindness (let alone the odd p or two), comes close to stealing the show. There is strong support also from the Colchester Community Chorus.

Sweeney Todd runs at the Mercury Theatre, Colchester until 12 November with matinées on 5, 10 and 12 November.

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Filed under Music & music theatre, Reviews 2016