reviewed at the Mercury Theatre, Colchester on 17 October
Plays usually depend on what is said and the actions natural to the dialogue. Frantic Assembly do things slightly differently. Words, yes, and intelligent, character-credible ones at that by Andrew Bovell – but also a species of physical version of onomatopoeia from co-directors Scott Graham and Geordie Brookman.
This takes the form of part-mime, part-dance where the three women in the story – mother Fran, elder daughter Pip and younger afterthought Rosie – are lifted and swirled around the stage by their menfolk, partly in control and partly passive. It all takes place on a stage with minimalist furnishings (Geoff Cobham).
Kirsty Oswald as Rosie opens the drama with a monologue explaining that her gap-year travels culminated in a romantic encounter in Berlin which has left her disillusioned and robbed.
Then we meet her over-protective parents, Fran (Cate Hamer) who works in a hospital and father Bob (John McArdle) who has retired from an assembly-line job and now tends his garden while worrying about his children.
Pip (Seline Hizli) has come to the end of her marriage. Ben (Arthur Wilson) is a salesman on the way up, and on the make. Mark (Matthew Barker) is uncomfortable in his skin, as he reveals to devastating effect on his family in the second act.
Bovell’s script is a realistic and adult one, which managed to lure a predominantly teenaged audience into complete involvement with his characters’ difficulties; perhaps there’s something of Pip, Rosie, Ben and Mark in most of us, however submerged.
It’s acted with immense conviction, which in turn communicates itself across the auditorium. So that Rosie’s painful experience of growing-up contrasts with Pip’s determination to grow into her own person, not just the roles of wife and mother.
Fran’s increasing desperation to keep her brood together and happy within her own context in turn holds the reverse side of the mirror to Bob’s ultimately futile attempts to protect his daughters and maintain his sons on what he sees as a normal, honest path. These make up the drama and its inherent heartbreak which we can all recognise.
Four and a half star rating.
Things I Know To Be True runs at the Mercury Theatre, Colchester until 21 October with matinées on 19 and 21 October.