Tag Archives: Avenue Theatre Ipswich

The Importance of Being Earnest
reviewed Ipswich 24 March

Red Rose Chain’s spring production is a new one by artistic director Joanna Carrick of Oscar Wilde’s best-known comedy. Carrick has provided a framing induction(?) which involves the 1960s descendants of Wilde’s 1890s characters clearing out the old family country home – now too big and too expensive to maintain. Quite frankly, this adds nothing but an extra gloss of artificiality to the play proper, but I suppose such things are in fashion.

This is a theatre-in-the-round staging, which place a special load on the actors, especially when they’re required to engage directly with the audience. The design eam – Carrick, David Newborn, Jack Heydon and Leo George – circulate the prologue, the main play and the epilogue – around a couple of packing-cases, a chaise longue, a tea-trolley and a tin-toned upright piano.

Joanna Sawyer is the musical director and choreographer, and she keeps her cast on the move, notably in the case of Lawrence Russell’s whirlwind Jack (he also plays Chasuble and Frank in the framing scenes). Laurence Pears contrasts lankily as Algernon and a simpering Miss Prism. The men’s quick changes of costume, especially in scenes where both the characters they play are on-stage simultaneously, is a delight to watch.

Of the women, we first meet Sawyer as Frnk’s trendy fiancée, all Carnaby Street mini-skirt and high-boots – not to mention wielding an oversize demonstration banner with theories to match. Her Cecily has a similar sparkle, manipulating her young-girl flounced skirt to devasting effect as far as Algy is concerned. Leonie Spilsbury is the slightly repressed Eloise and the confident débutante Gwendolyn; one has a horrid feeling that she might indeed end up as her mother’s true daughter.

Butlers Merriman (a misnomer if ever there was one) and Lane are doubled by Antony Carrick. At the end, Lane’s nostalgia has something of the dying fall impact of Firs from The Cherry Orchard. Joanna Carrick’s Lady Bracknell tries too hard to make us “get the point”; by this stage in his career, Wilde knew precisely how to let a line work with its hearers, without over-pointing by the actor. Those bare arms for a society matron in daytime clothes also jar.

Three and a half-star rating.

The Importance of Being Earnest continues at the Avenue Theatre, Ipswich until 9 April.

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Filed under Plays, Reviews 2017

Treasure Island

(reviewed at the Avenue Theatre, Ipswich on 10 December)

Red Rose Chain likes to strike out on its own path for its Christmas show; this year it’s Joanna Carrick’s adaptation of the RL Stevenson adventure classic. Carrick’s script is faithful to the story, so her three-actor production might well be a trifle too violent and noisy for very young audience members.

We begin with Gideon (Ryan Penny), a hapless cleaner for a rehearsal space. Mandy (Claire Lloyd) soon puts him right. Considerable knockabout later, we’re into the story proper, as young Jim, the blustering Squire Trelawney and the pragmatic Dr Livesey set sail from Bristol in search of Captain Flinet’s treasure.

Of course, one of their major problems is that the seemingly helpful ship’s cook Long John Silver and his shipmates are on the same quest. Lloyd, Joel Macey and Penny swap roles and “improvise” locations at a bewildering rate, though much of the detail as well as the fast-moving narrative comes across clearly.

The ad-hoc elements of the design (steel drums, packing cases table-cloths for sails and so on) add to the illusion, as do Laura Norman’s sound effects and Jimmy Grimes’ puppets – Silver’s parrot is a particular audience favourite – but don’t get too close; he might bite!). David Newborn’s lighting adds considerable to the atmosphere, which is not an easy task given that the audience sits on three side of the acting area.

Treasure Island runs at the Avenue Theatre, Ipswich until 2 January (check the theatre website (redrosechain.com) for performance times).

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Filed under Family & children's shows, Pantomimes & other seasonal shows, Reviews 2016

Richard III

(reviewed at the Avenu Theatre, Ipswich on 10 May)

The Red Rose Chain is an Ipswich-based company which likes to provide an unusual slant for its productions. Take the most recent example, Joanna Carrick’s version of Shakespeare’s Richard III. She has a cast of just four actors with Lawrence Russell taking the title role and all the other parts played by Edward Day, Rachael McCormick and Kirsty Thorpe.

Carrick and David Newborn have set it in the immediate post-World War II years. Russell is on stage almost throughout the action, initially listening to his crackling wireless, leafing through a newspaper and contemplating his pin-board studded with photographs of those who must manipulate or die to ensure his translation from Duke of Gloucester to the throne. Hunchbacked and stiff-legged, he is a sartorial mismatch of checks and stripes.

It’s a mesmerising performance, ablaze with cackles as he admires his own dexterity and invites us to share his glee. A Richard in the comic vein rather than one to strike shivers down the spine. Unless, that is, you’re one of his victims. Torpe is two of these – Lady Anne and the initially conniving Buckingham – giving two well contrasted portraits of recognisable human beings.

Edward IV’s widow Elizabeth and the ultimately avenging Richmond are both played by Day. His Elizabeth is properly commanding; the Act IV Scene IV wooing scene in which Richard, just after the murder of her sons, proposes to marry her daughter turns out to be one of the production’s high points. McCormick doesn’t make quite enough of Clarence’s dream in Act I Scene IV but rants to good effect as Queen Margaret and the Duchess of York.

Keeping the running time, including the interval, down to a little under two hours has meant the elimination of a number of characters, including Hastings, the Woodville clan and Lord Stanley (whose last-minute intervention at Bosworth sealed the historic Richard’s fate). This does make the story much easier to follow for non-historians. Whether the two interpolated songs by Leon Sheppard contribute much is more of a moot point.

Richard III runs at the Avenue Theatre, Ipswich until 4 June with matinées on 14 and 21 May and 4 June.

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Filed under Plays, Reviews 2016